
'...but these drawings are the antidote: in spite of all modernisms
part of us still breaths Renaissance.'
- Erik @untitledxxi
EXHIBITIONS
Groupshow Hawerkamp Verein
Münster, Germany
March 27 - April 8 , 2021
Groupshow 055: Apeldoorn Art
Inzending voor de Van Reekum Cultuurprijs
December 13, 2020 - May 9 , 2021
Duo-exhibition with Wencke Vinks, Doesburg
november 2020
Solo exhibition Galerie Loolaan, Apeldoorn
october 2019
Duo-exhibition Galerie Loolaan, Apeldoorn
april/may 2019
Group-exhibition Treeland Gallery 萃岛艺术
Florence, Italy
25 nov - 9 dec 2018
Groupshow Galerie Loolaan, Apeldoorn
8 - 16 dec 2018
annual student exhibition
Russian Academy of Art, Florence
june 2018
Zomerexpositie ACEC, Apeldoorn
14 july - 26 august 2018
Art Capital (Jeune Artiste invité) Grand Palais, Paris
february 2018
groupshow Russian Academy Hong Kong,
China october 2017
groupshow Galerie Loolaan, Apeldoorn
september 2017
annual student exhibition, Russian Art Academy, Florence
june 2017
PUBLICATIONS & REVIEW
14 february 2018 | Catalogue Art Capital | (Jeune Artiste invité) Paris
11 October 2018 | Interview | Apeldoorn Direct by David Levie
20 July 2018 | by Erik @untitledxxi | instagram
Have you ever been in love? (I have, with S., E. and F. – not at the same time, fortunately.) And did you visit Tuscany then? (I did, with S. and F.) And did you drive around on a Vespa? (If I drive around on a Vespa, my love sitting behind, we end up in a Chianti ditch and spend the rest of our holiday in San Casciano’s hospital.) No, seriously: please do. Do, do, do. Fall, be in love in the Tuscan hills, it doesn’t get any better than that. It’s cliché, I know, - but there’s a reason for the obstinacy of clichés. Just try. These thoughts pass my mind while looking at Anouk Bijsterbosch’s drawings. She’s studying at the Florence Academy. Couple of days ago she was painting in the Florentine countryside, near the walls of Fiesole. (Read ‘A room with a view’, by E.M. Forster.) Btw don’t pass there on a Vespa: the hill is high and the ditches deep. Back to the drawings: after a busy day I come home, sit down, look at them. Meditate. It feels like coming home twice. I know, i know, we’ve had modernism, and then post(post)(post)modernism. And then even post services modernized, can you imagine? Postman Pat obliged to wear a helmet: that was the beginning of the end. (Drive with Postman Pat through the hills: no accidents will happen.) Moral values shifting, cynicism setting in like winter. Turmoil. But these drawings are the antidote: in spite of all modernisms part of us still breaths Renaissance. And we stand in awe of the mastery of course: once there was the child Anouk, drawing her first shaky line, and now… Look at her now. Harmony. Wonder. @anoukbijsterbosch /// In a week or two, dear readers, we’ll come up with some in depth interviews. Lazy talks about life, art and everything human. For the first one we visit London: Peter D’Alessandri. #untitledxxi #firenzeart #emforster #aroomwithaview #postmanpat #renaissanceart #artinterview #artcommunityofinstagram #artstories #vespaworld #fiesole #renaissancedrawing
PURCHASE VIA SAATCHI GALLERY
NOTE: from 2019 works by me are represented in the official online gallery Saatchi Art. Here you can buy original works as well as high quality limited edition prints. Worldwide shipping via Saatchi.
Born in 1987, Warnsveld, NL
BIO
Anouk Bijsterbosch is a painter dedicated to the realistic tradition: figures, portraits and landscapes. She works with natural light, live model set-ups and en-plein-air. "I am greatly inspired by the masters of Impressionism and Realism, painters such as Sargent, Zorn, Israels, Repin, Serov, Levitan, Monet.” She studied Fine Art in Groningen (NL) and at the Florence Classical Arts Academy in Florence, Italy. Currently she is working in Holland as a professional artist. Her works are included in the collection of the Russian Academy's Fund and in private collections in Athens (Greece), Dubai (United Arab Emitates), Ghent (Belgium), Amsterdam (NL). In 2018 she participated in Art Capital in Le Grand Palais Paris, and her work will be on exhibitions in Florence and China.
TRAINING
Studied in workshops of Ivan Loginov, Sergey Chubirko.
Classical Academic Training, Florence Academy of Russian Art, Florence
Teachers: Svetlana Terekhina, Svetlana Kurbatskaya, Sergey Chubirko, Oksana Arkhipova, Alexey Bakhtin, Nadia Molugova, Irina Ganina, Anna Nelyubina, Victoria Kharchenko
Erasmus exchange programma semester at Universidad Complutense Madrid, Facultad Bellas Artes
Autonome Beeldende Kunst (B.F.A.) Academie Minerva Groningen
Teachers: Matthijs Röling, Gouke Notebomer, Rikus van der Meer, Frank Lisser, Kinke Kooi, Ko Sliggers, Cor Groenenberg, Wim Bosch
ART COLLECTIONS
Florence Classical Arts Academy Collection, Italy
Private collections: Athens (Greece), Dubai (United Arab Emitates), Ghent (Belgium), Amsterdam (NL)
